| 
	  | 
    
	Synopsis 
	
	 Tishko is 10 years old, he 
	loves football and dreams of seeing Pele play for Brazil v. Iraq in Baghdad. 
	But this is Kurdistan in 1969 and Saddam is in power and no Kurds are safe. 
	Tishko has nothing, not even a pair of shoes and now he is about to lose the 
	home he shares with his mother and older brother.  
	When all seems lost he meets an oil worker, Mr English, who offers him a way 
	out and a ticket to the game – if he can keep a promise. Now, for one 
	extraordinary day Tishko must pit his wits against the local bullies, 
	Saddam’s militias, his wayward brother, over-zealous mullahs, cheating oil 
	guards and unforgiving shopkeepers, to fulfil his quest, save his family 
	home and most importantly, see Pele in action.  
	It is a story of love and loss and one boy’s helterskelter journey into 
	adulthood. 
	 
	About 
	The script is by Kae Bahar, 
	a native Kurd who has spent the last 17 years in the UK. He knows just what 
	it was to have been that child in Kurdistan and he feels it is the perfect 
	time to share his experiences with the world.  
	Pele’s profile is rising again with Brazil acting as host for both the World 
	Cup in 2014 and the Olympics in 2016. 
	Football's following and the passion it evokes remains undiminished, not 
	only in the Middle East, but globally. This, combined with the fact that 
	Iraq, Kurdistan and the wider Middle East remain at the forefront of world 
	news makes it the perfect time to tell the story of Tishko and his 
	footballing hero. 
	 
	 
	Director’s Vision
	 
	Blindfold Shoes will be 
	given a naturalistic approach to convey the depths of Tishko’s psychological 
	world as he battles to keep his promise and to save his family home. 
	The overall visual is based on layers of colour contrasts as Tishko shuttles 
	between his conflicting emotions of hope and frustration. These emotions, 
	together with heightened colours, (which will be used to highlight certain 
	crucial moments in the film), will gradually develop and intensify 
	throughout the story. Cold hues will paint Tishko’s sullen exterior world, 
	while warmer tones will be introduced to convey his (repressed) dreams and 
	potential. The interplay of these shades will offer the film a sense of 
	dynamism and appeal.  
	Visual references to inspire Blindfold Shoes include: Innocent Voices 
	(2004), Slumdog Millionaire (2008), Cinema Paradiso (1988), Star Wars, the 
	Phantom Menace (1999), City of God (2002), Hugo (2011), E.T. (1982), The 
	Kite Runner (2007). 
   | 
    
	  |